ACTRA Novice Rowing Program
Module 2
TECHNIQUE DEVELOPMENT-Rhythm
The first set of sessions concentrated
on basic sequencing of the stroke, and bladework exercises. The
next step is to tackle the rhythm of the stroke, with the major
contributing factors being relaxation during the recovery and
acceleration during the drive. The crew must be conscious of
the fact that all their forces should be directed horizontally,
to maximise the boat's forward movement in the water (and not
down or up, or in any other direction). Similarly, the crew should
seek to minimise forces that disturb or hinder the horizontal
forward movement of the boat in the water.
These concepts may seem advanced for
novices, but it is nevertheless important to develop them in
the earliest stages of rowing so that they become an automatic
part of every stroke.
Rhythm, involving acceleration and
relaxation, is the foundation of successful rowing, both in a
competitive sense and aesthetic sense.
Aims
Development of rowing technique with
emphasis on rowing rhythm, with its essential components:
1. Relaxation
2. Acceleration
Activities
Warm Up
1. Cycle, run or ergo (515 minutes)
2. Stretching (use introductory video
for examples of stretches)
Consolidation of Previous Activities
(Try to give some of the rowers a turn
in a single scull or pair , they will have to be closely
supervised.)
3. If there were any major problems
with the body sequencing work with some of the rowers, try to
correct these on the ergo first, as part of the warm up. If it
is a problem common to most of the rowers, give a demonstration
of the correct sequencing.
4. Work through previous sequence of
slide lengths, square blades etc., but more quickly-take only
1015 minutes to complete. Revise points covered in previous
sessions (sequence of movements, pushing off feet, straight arms,
horizontal draw), but this time add a special emphasis on the
recovery relaxation as part of the rhythm. Get rowers
to visibly 'sag', turn into blancmanges, and take tension out
of all parts of their bodies (especially neck and shoulders)
during recovery.
Sit with blades flat on water, handles
held close to ribs. Check grip (hands spaced about 30 cm apart)
(a) Two row at a time, square blades,
working from back chocks gradually to full slide. Others leave
blades floating flat on water for added stability.
(b) Two row at a time, with feathering,
working from back chocks gradually to full slide, as before.
Others leave blades floating flat on water for added stability.
(c) Then bring in more crew members/try
different combinations (e.g. 2 rowing with 5, stroke with bow,
etc.) as long as there is always at least one pair of rowers
'sitting up' the boat.
(d) Finish with whole crew rowing together
for a short time, concentrating on following rower in front.
Blades in together and out together.
Special Exercises to Aid Relaxation
with Respect to Grip on the Oar in the Recovery and During the
Stroke
5. (a) 'Play the piano' with the fingers
on the oar during the recovery-releases tension, shows there
is no need to 'grip' the oar on the way forward.
(b) Rowing (square blades) without
thumbs on handle-emphasises the fingers forming a 'hook' during
the stroke, forces rowers to let oar float in water as they drive
backwards, promotes flat drive.
(c) Row gently using inside hand only
(outside hand on hip), feathering
(d) Row firmly (with square blades)
using outside hand only (inside hand on hip)-make sure at least
two members of the crew are balancing the boat (i.e. not rowing,
blades floating on the water) during this exercise.
Explain the Rhythm
Catch phrase: Sting like a bee,
float like a butterfly
Rowing is all about moving the boat
forward efficiently. The oar blade is planted or 'fixed' in the
water. The blade, rather than the swivel, is the pivot point.
The power of the legs is transferred to the oar which is used
to lever the boat past this pivot point in the water. The swivel
is where the power is transferred to the boat hull.
To maximise forward-propelling force
on the boat, the leg drive must accelerate or build, during
the stroke.
To maximise efficient use of the crew's
physical energy, during the recovery the boat must be allowed
to run, with minimal disturbance or hindrance to forward
motion.
To minimise disturbance to forward
motion, the crew must be relaxed during the recovery and slide
up to the catch 'in tune' with the speed of the hull. It often
helps to think that it is you that stays still in the boat during
the recovery and the boat glides up underneath you, rather than
you moving yourself towards the stern of the boat.
Remember, during the push, build
the stroke so that you sting like a bee at the end, then
relax and float like a butterfly as the boat comes
underneath you during the recovery.
Exercises to Help the Rhythm
6. (a) Count 'one thousand, two thousand'
as you come forward down the slide.
(b) Row VERY lightly at the catch and
build to a strong finish (20% catch, 80% finish), then slide
VERY slowly during the recovery (maybe even count 'one thousand,
two thousand, three thousand'). Intersperse 10 of these exaggerated
strokes with 10 normal strokes.
(c) Row with the feet out of the shoes/clogs-forces
the idea of a floating recovery with the boat drifting up underneath
you.
(d) See how far each crew can drift
after one stroke, two strokes, three strokes. Get each crew to
count how many strokes they take to cover a certain fixed distance-the
lower the number of strokes the better.
(e) Try to maximise the distance between
each set of 'puddles' formed by the blades at each stroke.
Rowing Home
On the way back to the shed, practise
the 10 exaggerated strokes and the 10 normal strokes, maybe up
to ten times. Make a note of any persisting major individual
faults (Let me know what they are and I can devise exercises
to help correct them)
Take boat out of water, wash, put boat
and oars away
Conclusion
7. Give individual/crew feedback. Advise
time of next training session.
Next session continue to work
on steps 5 and 6 above, with more emphasis on 'whole crew' coordination
of each exercise.
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